Teshome Douglas-Campbell explores how a new show, ‘The World to Me Was Secret’, from Turner-Prize-winning artist Shani draws on influences ranging from the myth of Frankenstein to Charles Jencks’ own work
Unbuild: A Site of Possibility at the Drawing Room examined the confluence between buildings, the body and the gallery’s location, writes Teshome Douglas-Campbell. Photography by Ben Deakin
The £5 million Clifford’s Tower conservation project is a pioneering example of how to do a light-touch intervention on a historic monument, writes Teshome Douglas-Campbell. Photography by Dirk Linder
The Architects’ Journal Architecture News & Buildings